Finally the Elector in Munich commissioned an opera from the young man, largely at the express wish of the musicians in his court (what enlightened leadership! The dates of the first performances are unknown. 29 in a Major, K. 201/186a. It is not surprising that he felt unable to do anything with such a topic; his creative inertia took the form of a variety of activities to help him avoid composing: revising earlier works, proofreading scores, and renewing his study of English in the hopes of eventually being able to read his favorite English authors, Dickens, Thackeray, and Shakespeare. The sheer speed is daunting. 102. [1], The work was composed in 1778 during Mozart's unsuccessful job-hunting sojourn in Paris. The premiere took place on 12 June 1778 in a private performance in the home of Count Karl Heinrich Joseph von Sickingen, the ambassador of the Electorate of the Palatinate. reif conducts tchaikovsky & mozart July 5, 2020 ... K. 165 (1773) Wolfgang Amadeus Mozart (1756-1791) On October 24, 1772, Mozart and. Gesellschaft der Musikfreunde, Vienna. "[8], "The Autograph Manuscripts and Early Performances of Mozart's, International Music Score Library Project, "Mozart:Symphony No. Mozart’s choice of clarinets instead of oboes produces a gentler woodwind sonority especially appropriate to the autumnal lyricism of Symphony No. This artist, who from the tenderest age made a name for himself among harpsichord players, may today be ranked among the most able composers. This was Mozart’s first symphony … We can only be grateful that the symphonies were composed in any case. It was commissioned by Joseph Legros, the head of the Concert Spirituel. 41 by Wolfgang Amade-us Mozart, a sublime masterpiece from 1788 that exemplifies why its composer occupies a spot on the very top rung of symphonic creation. Symphony No. It was Mozart's first symphony to use clarinets. 4 IN D MAJOR, BMV 1069 Johann Sebastian Bach (1685-1750) By June 1788 Mozart’s fortunes had entered on the long, steady decline that culminated in his death, at age thirty-five, three-and-a-half years later. He adds, "[Mozart's father] Leopold remarked that, to judge by the Parisian symphonies he had seen, the French must like noisy symphonies."[8]. The composer was then 22 years old. The finale is often called the most Haydnesque movement Mozart ever wrote, largely because it is nearly monothematic. Mozart visited his musical friends there in December, while making his reluctant return home to Salzburg. The original plan was to have a series of staged tableaux accompanied by music, each scene to be set by a different composer, chosen by lot. Johannes Chrysostomus Wolfgang Gottlieb Mozart, who began calling himself Wolfgang Amadeo about 1770 and Wolfgang Amadè about 1777, was born in Salzburg, Austria, on January 27, 1756, and died in Vienna on December 5, 1791. Joannes Chrisostomus Wolfgang Gottlieb Mozart, who began to call himself Wolfgango Amadeo about 1770 and Wolfgang Amadè in 1777, was born in Salzburg, Austria, on January 27, 1756 and died in Vienna on December 5, 1791. Again on June 17 he needed money to pay his landlord and asked Puchberg for a few hundred gulden “until tomorrow.” Yet again on the 27th he wrote to thank Puchberg for the money so freely lent him, but also to report that he needed still more and did not know where to turn for it. Royal College of Music, London. The development section is one of the shortest in any Mozart symphony, never moving far afield harmonically. Mozart did not compose very much while in Paris. Andante III. Tickets for this event will be available for purchase at Woolsey Hall beginning at 6:30pm. There are 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings. Not only did he fail in obtaining a court appointment, but private commissions were also few and far between. Symphony No. Debussy’s success in obtaining this fluid, pastel effect can be measured by the fact that musicians still argue about where the various sections begin and end. 25 in G minor, K. 183 I. Allegro con brio II. He was supposed to write a piece of music for the twenty-fifth anniversary of Tsar Alexander II’s accession to the throne, since the government hoped to generate a little enthusiasm for the ruler, who had recently been the subject of some assassination attempts. Sadie notes, reflecting on Leopold's remark given above, that indeed "Mozart's Paris Symphony is quite noisy. [a] [3], The work was performed again at the Concert Spirituel on 15 August, this time with a new second movement, an Andante replacing the original Andantino in 6/8 (the latter, according to Deutsch, "had failed to please". But the serenade, on the contrary, I wrote from inner compulsion. [5] The work was published in Paris by Sieber and announced for sale 20 February 1779. The score calls for two oboes, two bassoons, four horns, and strings. But it is hardly likely that Mozart would have composed three whole symphonies at a time when he was in desperate financial straits if he didn’t have some hope of using them in a practical way to support his family. 29 in A Major, his third (and last) in that key, was finished in 1774. In January 1779 Mozart reluctantly returned to Salzburg after a disastrous two-year trip to Germany and Paris. He composed his opera seria Idomeneo, Rè di Creta (“Idomeneus, King of Crete”) in late 1780 or early 1781, for performance in Munich. The principal theme, beginning with a group of scurrying sixteenth‑notes followed by a hiccup, produces a series of motives that carry the bulk of the discourse. The careful bridging of sections, so that nothing ever quite comes to a full close without suggesting continuation, effectively blurs what is, after all, a fairly straightforward ABA form. Wolfgang Amadeus Mozart (1756–1791)Wolfgang Amadeus Mozart (1756–1791) While Mozart's favored instrument was the piano, he was also a highly accomplished s Violin Concerto No.5 in … Pyotr Ilyich Tchaikovsky was born in Kamsko-Votkinsk, Vyatka province, Russia, on May 7, 1840, and died in St. Petersburg on November 6, 1893. Just as we seem about to settle onto the dominant, ready to begin the Allegro, the activity decelerates and we are confronted with a stark, hushed chromatic figure recalling some of the “uncanny” moments in Don Giovanni. Symphony No. Symphony No. As of 1780 Mozart had not produced a full‑scale opera for five years (when he was still in his teens). The freshness comes in part from the delicacy of the instrumentation, which is filled with wonderfully new effects, of which the brilliant splash of the harp glissando over a dissonant chord at the end of the first flute phrase is only the most obvious. Tickets: $15 – $74; KidTix Free with Adult; College Students $10. 39 in E-flat Major, K. 543, Symphony - Symphony - Mozart: Wolfgang Amadeus Mozart raised the symphony to heights that in many respects remain unsurpassed. Duration is about 29 minutes. He composed the Serenade for Strings between September 21 and November 4, 1880. Mozart & Mendelssohn. 10, D. 936a, reveal three movements; the Andante on tonight’s program is the second. 31 PROKOFIEV Violin Concerto No. The slow movement, in A‑flat, opens with deceptive simplicity; it is, in fact, a richly detailed movement, with progressive elaborations of the material throughout. 36 in C Major, K.425,“Linz”Wolfgang Amadeus Mozart When Mozart married Constanze Weber in August 1782, in Vienna, Mozart’s family saw her as their intellectual and social inferior. In 1865 the poet Stéphane Mallarmé produced a “Monologue d’un faune,” with which he hoped to obtain a performance at the Comédie Française. PROGRAM NOTES by Paul Schiavo WOLFGANG AMADEUS MOZART Piano Concerto No. This is a piece from the heart and so, I venture to say, it does not lack artistic worth. The leading composers of the day had written grand tragic operas for the great theater of Elector Carl Theodor, and when Mozart met the Elector, he confessed that he would like to write an opera for his forces. Tchaikovsky, to his chagrin, drew the subject, “Montenegrin villagers receiving news of Russia’s declaration of war on Turkey.”. The actual thematic matter is relatively conventional, more a matter of figures than melodies, but there is not development as such, and most of the working-out of ideas comes at their presentation. Although it was a sensation in Prague in the fall of 1787, the first Vienna performances the following spring did not attract enough attention; the piece was simply too serious to suit the taste of the court. He completed the serenade on November 4, the overture two weeks later. Wolfgang Amadeus Mozart, posthumous painting by Barbara Kraft, 1819. Neither opera, then, had much improved the Mozart family exchequer, and by early June 1788, only weeks after the Vienna premiere of Don Giovanni, Mozart was forced to write to his friend and fellow Mason, Michael Puchberg, requesting the loan of 100 gulden. On February 10, 1794 Solomon presented the premiere as part of a concert at Hanover Square that included a piano concerto by Dusseck and a new violin concerto by Viotti (with the composer doing the solo honors). Based on CDC guidelines and the results of the patron survey, the Symphony has developed a comprehensive list of safety protocols that will be in place during the 2020/21 season. Symphony No. Despite a successful premiere for his Paris Symphony (K297) at the Concert Spirituel on June 18 and a few other small commissions (concertos for flute, some ballet music), Both works have long been among the popular favorites of Tchaikovsky’s output—the 1812 overture with all its glorious bombast, and the Serenade for strings with its freshness and charm, its brilliant string writing, its graceful waltz of a character that Tchaikovsky made entirely his own, its richly expressive elegy, and its lively finale based on one of those Russian folk tunes that reiterates over and over a simple melodic gesture, allowing the composer to deploy his substantial skills as an arranger to ring the changes on the obstinate little fragment of tune that grows ever livelier. In the meantime, the Elector of Mannheim had inherited the Wittelsbach throne, so the court (and the whole extensive musical establishment) moved to Munich. The “lieto fine” (happy ending) required by the Metastasian operatic style allowed the leading characters to personify a world of reason and forgiveness, a world of self‑control, where rulers do not descend to bloodshed as easily as they do in ours. 3. In 1875, Mallarmé tried to get his work published as “Improvisation du faune” in a literary anthology, again without success. The score calls for flutes, oboes, clarinets, bassoons, horns, and trumpets in pairs, timpani, and strings. 41 in C Major, K. 551, “Jupiter” (1788) 29 minutes Flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. The number of string players is (as usual) not specified in the score, but Sadie remarks that at the premiere there were 22 violins, five violas, eight cellos, and five basses. Program Notes: By Lawrence Budmen Wolfgang Amadeus Mozart (1756-1791) Symphony No.35 in D Major, K.385 (“Haffner”) Siegmund Haffner (a member of a prominent Salzburg mercantile family) commissioned Mozart to write a serenade for his sister’s wedding in 1776. Having been told that his work would be of no interest as a theatrical piece, he put it aside for a decade. festa italiana! 38 in D Major, K. 504 (Prague) There are more sketches for the Prague Symphony than any other by Mozart—starts and stops and doodling for all the movements, even an opening for the finale, which eventually was discarded. 31 "Paris" performed by students of the Royal College of Music", List of symphonies by Wolfgang Amadeus Mozart, List of spurious/doubtful Mozart symphonies, https://en.wikipedia.org/w/index.php?title=Symphony_No._31_(Mozart)&oldid=994153432, Articles with German-language sources (de), Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 December 2020, at 09:48. His own poetry, he said, was inspired by “music proper, which we must raid and paraphrase, if our own music [poetry], is struck dumb, is insufficient.”, Debussy had already set a Mallarmé text as early as 1884. Duration is about 10 minutes. CLAUDE DEBUSSY (1862-1918)Prelude to The Afternoon of a Faun. 41 in C major, K.551, Jupiter Wolfgang Amadeus Mozart A t the end of this concert, we will hear the Symphony No. He had hoped to obtain financial stability through the performances of his operas, but The Marriage of Figaro achieved only nine performances during its season in the repertory (1786), partly, at least, because other, more influentially placed, composers had their own fish to fry and were not interested in supporting Mozart. 39 in E-flat major, K.543, was completed on June 26, 1788. Between October 1777 and the following March, Mozart, en route to Paris with his mother, made an extended and happy visit to Mannheim, home of the finest orchestra in Europe‑‑“an orchestra of generals,” Mozart called it. The longest and last symphony that he composed, it is regarded by many critics as among the greatest symphonies in classical music. We are privileged to continue publishing his program notes. Duration is about 23 minutes. One of the greatest miracles in the history of music is Mozart’s achievement in the summer of 1788, composing his last three symphonies all in the space of six weeks. Generally speaking the singer—especially the superstar singer‑‑was monarch of the operatic world; composers wrote arias precisely tailored to the characteristics of an individual voice. Kansas Cty Symphony PROGRAM NOTES By Ken Meltzer 28 2018/19 Season kcsymphony.org | WOLFGANG AMADEUS MOZART (1756-1791) Symphony No. Achille-Claude Debussy was born at St. Germain-en-Laye, Department of Seine-et-Oise, France, on August 22, 1862, and died in Paris on March 25, 1918. Tchaikovsky spent most of the year 1880 in the country, part of the time installed at Simaki, a small house on one of the estates of his patroness, Nadezhda von Meck, where, as always, he carefully avoided personal contact with the woman whom he addressed as “Dearest Friend” in a long and intensely personal series of letters covering the years of her support. ORCHESTRAL SUITE NO. Mozart thought he could enrich and revivify a form that had enjoyed a long and successful popularity but that was becoming stale and tradition‑ bound. 41 is the last of a set of three that Mozart composed in rapid succession during the summer of 1788. The score calls for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, three trombones, timpani, and strings. An invigorating first movement predominates, followed by a … The symphony is laid out in fast-slow-fast form, omitting the Minuet normally found in classical-era symphonies: The first movement opens with a rising and accelerating D major scale in an effect known at the time as the Mannheim Rocket. Featuring: William Boughton, conductor Tai Murray, Violin. The young composer, just twenty‑one and ready to spread his wings, was captivated by the music‑making in Mannheim (and equally captivated by a soprano named Aloysia Weber, but that’s another story). His greatest success of this period of time was the Paris Symphony. The hearty minuet provides a strong contrast to the delicacies of the Andante; its Trio features a clarinet solo with little echoes from the flute. It is a spacious work of great humanity. 2 BARBER Adagio for Strings HAYDN Symphony No. During the year he had witnessed, both in Mannheim and Paris, the highest quality of operatic production, and he was eager to contribute to it. During the years 1782 to 1788, Sieber's catalog described it as "in the repertoire of the Concert Spirituel". Bianca Ancheta. For this event Mozart was given an extraordinary ensemble—the finest orchestra in Europe (the Mannheim orchestra, which had recently been moved to Munich) with twice the usual number of strings and a full wind complement including, for the first time in Mozart’s experience, clarinets. In contrast to the symphony on tonight’s program, which shows the composer in an exalted mode, the Concerto for Flute and Harp is a youthful and charming work, easy on the ears and sprinkled with delicate ornament. Duration is about 28 minutes. 2 BARBER Adagio for Strings HAYDN Symphony No. Both second movements still exist,[9] as does a sketch of an earlier longer version of the 68 Andantino. Program: MOZART “Paris” Symphony No. [10][11], Sadie notes, reflecting on Leopold's remark given above, that indeed "Mozart's Paris Symphony is quite noisy. In order to accomplish this aim, Mozart proposed to his librettist, a Salzburg cleric named Abbé Giambattista Varesco, that the story be cast more in the French manner, with ensembles and choruses to vary the texture. At the same time, purely for his own satisfaction, he wrote a serenade for string orchestra, a late-nineteenth-century equivalent of the Classical divertimento. This wonderful ballet music, symbolizing the harmonious resolution of the dramatic situation, shows us a Mozart reveling in the quality of the finest orchestra he had yet had at his disposal. But as it was, most of his remaining operas were in the genres of the German Singspiel or the Italian opera buffa, both of which had quite different traditions and requirements from the opera seria. [6], The symphony was later performed in the Burgtheater in Vienna on 11 March 1783 during a benefit concert for Mozart's sister-in-law, the singer Aloysia Weber.[7]. Then came Don Giovanni, composed for the citizens of Prague who had taken Figaro completely to their hearts. The work received a positive review in the June 26 issue of the Courrier de l'Europe, published in London: The Concert Spirituel on Corpus Christi Day began with a symphony by M. Mozart. PROGRAM NOTES by Phillip Huscher Wolfgang Mozart Born January 27, 1756, Salzburg, Austria. WOLFGANG AMADÈ MOZART (1756-1791)Ballet Music from Idomeneo, Rè di Creta, K.366. Sadie remarks that this is the largest orchestra for which Mozart had yet composed in his career. 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